We are so excited to be presenting our eighteenth new musical in a couple short weeks! Romy and Michele’s High School Reunion is based on the cult film of the same name, but puts a whole new spin on it: a musical! This show will remind musical theater fans of Legally Blonde with its pop-rock new songs and its important messages of acceptance and friendship.
Scroll through the gallery to see behind-the-scenes photos from a rehearsal of Romy and Michele!
Don’t miss this world premiere musical, running June 8 to July 2 at The 5th Avenue Theatre. Find out more and purchase tickets here.
Special thanks to Jeff Carpenter Photography for these awesome rehearsal shots.
By MAKAELA POLLOCK
Often when I mention that I work with the Writers’ Group at The 5th, I get the response, “Cool!—So what do you guys actually DO?” The answer is both simple and huge. On the simple level, we write scenes and songs that add up to a whole musical, we give feedback to each other, we discuss what it means to create musical theater, and most importantly, we commit to being in the room with each other every other week in order to make that happen. Continue reading “An Introduction to The 5th Avenue Theatre’s Writers’ Group”
Beatsville, written by Wendy Wilf and Glenn Slater, appeared in the 2008 NAMT Festival. The show is now preparing for its world premiere in a co-production with NAMT member The 5th Avenue Theatre and Asolo Rep Theatre. This month, we caught up with the writers to hear about the work they’ve done on the piece since the Festival leading up to this premiere. Originally printed in the NAMT New Works News.
What was the response to Beatsville like after the 2008 Festival?
We had a great Festival—our cast was spectacular, and made the show look fantastic—and we received a hugely gratifying outpouring of interest from various theatres and organizations who wanted to help us take the next step forward. We sort of fumbled the ball a little—we felt that we still had some writing to do, and weren’t sure what that next step should be, and then we got swept up in other projects. Luckily for us, when we were finally ready to move forward, there was still a lot of goodwill in the community from people who remembered it from the Festival, and they proved instrumental in helping us get the show back on track. Continue reading “Spotlight on Beatsville”
This past October, The 5th presented NextFest, its second annual Festival for New Works. Eleven new projects were introduced during the three week festival, at varying levels of evolution, from cold table reads and writing intensives to week-long workshops complete with writers, actors and creative members working together to revise and improve new musicals. Continue reading “Fostering and Supporting New Works with NextFest”
By ORLANDO MORALES, Director of Rising Star Project and Internships
This fall marked the premiere of the 10-Minute Musical Project, The 5th’s newest education initiative focused on empowering Washington state students (ages 14-19) and supporting their future achievement by introducing them to the process of writing, workshopping and presenting brand new musicals.
This year involved 34 students presenting four original 10-minute musicals. Above, students rehearse Meant to Be, a new musical which explored the themes of high school romance and fire-breathing monsters. Continue reading “The 10-Minute Musical Project: THE RECAP!”
- What is your job in NextFest? Explain for us.
I’m the line producer. Basically, I make sure the writers are happy and that they have what they need to do their work. I also work on dramaturgy and story structure with the writers, directors and 5th Ave team, and basically make sure everything keeps running on track. Continue reading “NextFest Artist Spotlight – Greg Schaffert, Line Producer”
Christine served as a dramaturg for the writing intensive of Stanford Story (working title) which was workshopped last week.
- What is a dramaturg’s job in the theater – in general?
In the new play process, a dramaturg is like a midwife. I support the playwright through the process, provide historical context, consult on the development of the dramatic action, serve as a sounding board and work to make sure that the writer has the circumstances that he or she needs in order to do their best work. I share ideas, ask questions, listen to the playwright’s intentions and mirror back what I see emerging from the work. While also being very clear that it’s not my play. I’m not the writer (it’s not my baby). Continue reading “NextFest Artist Spotlight – Christine Sumption, Dramaturg”