The 10-Minute Musical Project: THE RECAP!

By ORLANDO MORALES, Director of Rising Star Project and Internships

This fall marked the premiere of the 10-Minute Musical Project, The 5th’s newest education initiative focused on empowering Washington state students (ages 14-19) and supporting their future achievement by introducing them to the process of writing, workshopping and presenting brand new musicals.

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This year involved 34 students presenting four original 10-minute musicals. Above, students rehearse Meant to Be, a new musical which explored the themes of high school romance and fire-breathing monsters. Continue reading “The 10-Minute Musical Project: THE RECAP!”

This Is 90: The 5th Commemorates the Anniversary of Our 1926 Opening

Compiled by JORDAN LUSINK, Communications Coordinator

THIS FALL, THE 5TH CELEBRATES ITS 90TH BIRTHDAY. Since the beautiful, historic theater opened in 1926, The 5th has reinvented itself several times, leading the nation today as a home for musical theater.

Our historic location was modeled after three of Imperial China’s most spectacular architectural achievements: the Forbidden City, the Temple of Heavenly Peace and the Summer Palace. Designed and built a year before Grauman’s Chinese Theater in Hollywood, The 5th has been called “the largest and most authentic example of traditional Chinese timber architecture and decoration outside of Asia.” From the lotus blossoms and phoenixes to the dragons featured throughout the interior—most notably the Great Dragon in the dome of the theater—The 5th has been celebrated for its exquisite design and authenticity.

Continue reading “This Is 90: The 5th Commemorates the Anniversary of Our 1926 Opening”

NextFest Artist Spotlight – Greg Schaffert, Line Producer

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  1. What is your job in NextFest? Explain for us.

I’m the line producer. Basically, I make sure the writers are happy and that they have what they need to do their work. I also work on dramaturgy and story structure with the writers, directors and 5th Ave team, and basically make sure everything keeps running on track. Continue reading “NextFest Artist Spotlight – Greg Schaffert, Line Producer”

The 10-Minute Musical Project

By ORLANDO MORALES, Director of Rising Star Project and Internships

Eight high school students and two adult mentors are seated around a large table in The 5th Avenue’s Rehearsal Studio B. Everyone has a freshly photocopied script in hand. Old scripts and well-worn notepads are strewn across the table. Otherwise, the fluorescentlylit studio is an unassuming space, furnished with some chairs, a large folding table and an upright piano waiting in the corner. Yet the room transforms as the students begin to read from the draft of a recently written scene.

Continue reading “The 10-Minute Musical Project”

NextFest Artist Spotlight – Christine Sumption, Dramaturg

Christine served as a dramaturg for the writing intensive of Stanford Story (working title) which was workshopped last week.

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  1. What is a dramaturg’s job in the theater – in general?

In the new play process, a dramaturg is like a midwife. I support the playwright through the process, provide historical context, consult on the development of the dramatic action, serve as a sounding board and work to make sure that the writer has the circumstances that he or she needs in order to do their best work. I share ideas, ask questions, listen to the playwright’s intentions and mirror back what I see emerging from the work. While also being very clear that it’s not my play. I’m not the writer (it’s not my baby). Continue reading “NextFest Artist Spotlight – Christine Sumption, Dramaturg”

The Impossible Musical

By DREW LICHTENBERG, Literary Manager/Resident Dramaturg at the Shakespeare Theatre Company, D.C. (Reprinted with permission.)

dale-wassermanOne of the first things to know about Man of La Mancha, perhaps the most popular adaptation of Don Quixote, is that it isn’t an adaptation at all. During a 1959 trip to Madrid, playwright Dale Wasserman read the book (or parts of it, it isn’t entirely clear) and came away convinced that this book, considered the greatest novel of all time, this “monument to human wit and folly could not, and should not, be dramatized.”

Continue reading “The Impossible Musical”